Ine Vermee

Reflections on white

Galerie Z   lecture and exhibition

About the influence of light on my work.
In the accompanying exhibition, works are shown with various lacquers on linen and aluminum and in addition work
on paper and cardboard.


art salon

galerie-z

various lacquers on canvas and aluminum 2016
november 27, 2016 – december 18,  2016

saturday and sunday 13.00 – 17.00 h and on appointment
Galerie Z Barbarossastraat 22
6522 DL Nijmegen
The Netherlands [0031 [0]24 3235122]

studio summer 2016

NEW WORK

studio spring 2016 (1)

on the wall:
4 diptychs / car paint on aluminium with various shades of white in various gloss grades
to experience the nuances you have to move along the work

Lecture: “Reinventing White”

KUNSTSAMMLUNG NORDRHEIN-WESTFALEN  
K20 Grabbeplatz  DE
 “Kandinsky, Malevich, Mondrian – The White Abyss of 
Infinity”

Piet-Mondriaan-Compositie-met-wit-en-zwart-II-met-zwarte-lijnen-Olieverf-op-doek
Piet Mondriaan
Composition II with Black Lines, 1930 Collection Van Abbemuseum Eindhoven NL 

wednesday  14/05/2014    07:00 PM

Whites reflecting greens

UNIVERSITY TILBURG NL

Spring-summer-autumn-winter 2013-2014

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about countless changes of light
about countless whites and countless greens

This project builds on the work at my recent exhibition at the Arp Museum in Germany.
For this new project I will install white reflecting, powder-coated aluminium plates in the espaliered lime trees in one of the patios of the University of Tiburg’s main building.
In this work of art my geometric work will be juxtaposed with nature. The continually changing shades of white and green and the reflections of the different greens in the white plates will be optimally visualized in this situation.
The actual reflection in this outdoor work refers to the inner reflection of the students. I will photograph and study the process of these countless changes of light, whites and greens during the exhibition. From the leafless trees of today to the leafless trees in the autumn and winter.

Lichtgestöber Der Winter im Impressionismus

ARP MUSEUM BAHNHOF ROLANDSECK REMAGEN, GERMANY
November 11, 2012 – April 14, 2013

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Oliver Kornhoff, Direktor Arp Museum, im Vorwort zum Katalog:
“So ist es nur folgerichtig, dass wir sie anlässlich des fünften Jubiläums unseres Museumsneubaus mit dem “White Guy” Richard Meier zusammenführen, bietet doch die weiße Außenhaut seines gebäudes je nach Tages- und Jahreszeit vielfältige ‘impressionistische’ Licht- und Schattenspiele.
Dieses Charakteristikum fasziniert auch die niederländische Künstlerin Ine Vermee. Die Transponierung von Meiers Weiß in den Innenraum und die Begegnung von Vermees abstrakter kunst mit den malerischen Licht- und Schneegestöbern in der Kunstkammer Rau veranschaulichen den Beziehungsreichtum und die bis heute ungebrochene künstlerische Faszination für das vorliegende Thema.”

Richard Meier. Building as Art.

ARP MUSEUM BAHNHOF ROLANDSECK REMAGEN, GERMANY
Richard Meier. Building as Art.

September 30, 2012 – March 3, 2013

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Richard Meier at the preview of the exhibition
front: original maquette Villa Savoye Le Corbusier
on the wall: ”15 Meier whites” Ine Vermee